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Black People in European Sculpture Project

The Adoration of the Magi

The Adoration of the Magi 1
The Adoration of the Magi 2

Entry ID

  • 50 (13/01/2022)

Formal title of the work

  • The Adoration of the Magi

Description of the sculpture

  • A painted and gilded relief panel made of limewood and pine depicting the Adoration of the Magi. On the right side of the panel Balthasar, depicted here as the African Magus, stands holding his cap in his left hand and a gold drinking horn surmounted by a seated lion in his right hand.

Type of object

  • Relief panel

Base

  • No base

Dimensions

  • Height: 129.6 cm
  • Width: 121.4 cm
  • Depth: 14.8 cm

Materials

  • Lime wood / linden
  • Wood (unidentified)
  • Gold
  • Paint / pigment

Specific techniques used

  • Carving
  • Gilding
  • Polychromy

Overall colour

  • Polychrome

Does the Black person have a specific identity?

  • Identifiable: person from Bible/Christian saint

Identity of Black person (real or fictive)

Attributes

  • Golden vessel

Role within sculpture

  • Key subsidiary role

Gender

  • Male

Age

  • Adult

Status

  • Royal

Clothing

  • Wearing clothes – European/Western clothing

Evidence of enslavement

  • None

Evidence of 'exotic' status

  • Earrings (often a single pearl)

Action or activity

  • Standing

Emotional state

  • Neutral/emotionless

Focus of gaze of Black person

  • Looking downwards

Sculptural context

  • Domestic: Biblical/mythological
  • Rural: Biblical/mythological

Place of production

Period of production

  • Sixteenth century (1500-1599)

Date of Production

  • c. 1500 - 1520

Date inferred from

  • Inferred from dates when sculptor is active

Original purpose

  • Devotional

Original display setting

  • Sacred: convent/monastery

Current / most recently known location

Accession number

  • 2418-1856

Provenance history

  • 1856: acquired by South Kensington Museum, London (now named the Victoria and Albert Museum)

Notes

  • This panel was probably displayed in one of the monasteries in the Swiss canton of Thurgau. They were dissolved in 1848 when Switzerland was reorganising itself under a new federal-style government.

Current rights holder

License terms for reuse

  • Copyright Not Evaluated

http://13.41.147.145/s/database/item/43, . (no date) ‘The Adoration of the Magi’, Black People in European Sculpture, accessed May 5, 2025, http://13.41.147.145/s/database/item/448

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