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Black People in European Sculpture Project

Adoration of the Magi

Adoration of the Magi 1
Adoration of the Magi 2
Adoration of the Magi 3

Entry ID

  • 49 (13/01/2022)

Formal title of the work

  • Adoration of the Magi

Description of the sculpture

  • Triptych altarpiece depicting the Adoration of the Magi. Carved of oak and painted and gilded, the right wing of the triptych shows Balthasar, depicted here as the African Magus, carrying a gold Ciborium and wearing a sheathed dagger at his side.

Type of object

  • Relief panel

Base

  • No base

Dimensions

  • Height: 23.5 cm
  • Width: 29.5 cm
  • Depth: ? cm

Materials

  • Oak
  • Glass
  • Paint / pigment
  • Lead
  • Papier-mâché
  • Metal (unidentified)

Specific techniques used

  • Carving
  • Gilding
  • Patination

Overall colour

  • Polychrome

Does the Black person have a specific identity?

  • Identifiable: person from Bible/Christian saint

Identity of Black person (real or fictive)

Attributes

  • Golden vessel

Role within sculpture

  • Key subsidiary role

Gender

  • Male

Age

  • Adolescent
  • Adult

Status

  • Royal

Clothing

  • Wearing clothes – ‘exotic’ clothing

Evidence of enslavement

  • None

Evidence of 'exotic' status

  • Earrings (often a single pearl)
  • ‘Exotic’ costume/dress

Action or activity

  • Standing

Emotional state

  • Neutral/emotionless

Focus of gaze of Black person

  • Indeterminate

Sculptural context

  • Domestic: Biblical/mythological
  • Rural: Biblical/mythological

Place of production

Period of production

  • Sixteenth century (1500-1599)

Date of Production

  • c. 1500

Date inferred from

  • Inferred from stylistic features

Original purpose

  • Devotional

Original display setting

  • Sacred: home

Current / most recently known location

Accession number

  • 3264-1856

Provenance history

  • 1856: acquired by the South Kensington Museum (now named the Victoria and Albert Museum)

Notes

  • This a portable, mass-produced altarpiece that would have been used for private, domestic use and likely sold to a professional, merchant-class clientele.

Current rights holder

License terms for reuse

  • Copyright Not Evaluated

‘Adoration of the Magi’ (no date), Black People in European Sculpture, accessed May 5, 2025, http://13.41.147.145/s/database/item/443

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