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Black People in European Sculpture Project

The Adoration of the Magi

The Adoration of the Magi 1
Adoration of the Magi 2
Adoration of the Magi 3
Adoration of the Magi 4

Entry ID

  • 46 (13/01/2022)

Formal title of the work

  • The Adoration of the Magi

Description of the sculpture

  • Enamelled terracotta altarpiece depicting the Adoration of the Magi. The Virgin Mary and the infant Jesus are on the right with St Joseph behind her. On the left are the three Magi including one kneeling. There are nine other standing figures behind the Magi, including a Black male in green wearing a golden headband with a green feather protruding from the centre. This relief includes two depictions of the the coat of arms of the Albizzi family.

URLs where this is recorded/available

Type of object

  • Relief panel

Base

  • No base

Dimensions

  • Height: 221.7 cm
  • Width: 184 cm
  • Depth: 28.3 cm

Materials

  • Clay kiln fired (Terracotta)

Specific techniques used

  • Modelling
  • Enamelling

Overall colour

  • Polychrome

Does the Black person have a specific identity?

  • Anonymous: generic/idealised type

Role within sculpture

  • Minor role

Gender

  • Male

Age

  • Adult
  • Adolescent

Status

  • Uncertain

Clothing

  • Wearing clothes – European/Western clothing

Evidence of enslavement

  • None

Evidence of 'exotic' status

  • Feathers

Action or activity

  • Standing

Emotional state

  • Neutral/emotionless

Focus of gaze of Black person

  • Indeterminate

Sculptural context

  • Rural: Biblical/mythological

Place of production

Period of production

  • Sixteenth century (1500-1599)

Date of Production

  • early 16th century

Date inferred from

  • Inferred from stylistic features

Original purpose

  • Devotional

Original display setting

  • Sacred: church

Current / most recently known location

Accession number

  • 4412-1857

Provenance history

  • 1857: acquired in Paris for the Museum of South Kensington (now named the Victoria and Albert Museum)

Notes

  • The arms on this altarpiece are those of Albizzi, and this relief may have been commissioned for S Michele or S Andrea at Rovezzano, both of which were under Albizzi patronage at the end of the 15th century.

Current rights holder

License terms for reuse

  • Copyright Not Evaluated

http://13.41.147.145/s/database/item/40, . (no date) ‘The Adoration of the Magi’, Black People in European Sculpture, accessed May 5, 2025, http://13.41.147.145/s/database/item/429

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