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Black People in European Sculpture Project

Serpentine Bust of a Black Woman

Serpentine Bust of a Black Woman 1
Serpentine Bust of a Black Woman 2
Serpentine Bust of a Black Woman 3
Serpentine Bust of a Black Woman 4
Serpentine Bust of a Black Woman 5
Serpentine Bust of a Black Woman 6

Entry ID

  • 43 (13/01/2022)

Formal title of the work

  • Serpentine Bust of a Black Woman

Description of the sculpture

  • Italian sculpture of a figure, probably dating from the sixteenth century. The earlobes have holes for earrings and the headband has traces of gilding. There is some debate over the gender of the bust as both African males and females were depicted wearing earrings and headbands.

Type of object

  • Bust – Portrait

Base

  • Base present - may be a later replacement

Dimensions

  • Height (with base): 40 cm
  • Width: ? cm
  • Depth: ? cm

Materials

  • Serpentine
  • Gold

Specific techniques used

  • Carving
  • Gilding

Overall colour

  • Monochrome – black

Does the Black person have a specific identity?

  • Anonymous: specific individual but not currently identifiable

Role within sculpture

  • Main protagonist

Gender

  • Uncertain

Age

  • Adult
  • Adolescent

Status

  • Uncertain

Clothing

  • No clothes included (head)

Evidence of enslavement

  • None

Evidence of 'exotic' status

  • Earrings (often a single pearl)

Action or activity

  • Not relevant (head)

Emotional state

  • Calm
  • Neutral/emotionless

Focus of gaze of Black person

  • Unfocussed/blank eyeballs
  • Looking sideways

Sculptural context

  • No location included/implied

Place of production

Period of production

  • Sixteenth century (1500-1599)

Date inferred from

  • Inferred from stylistic features

Original purpose

  • Decorative

Original display setting

  • Unknown

Current / most recently known location

Accession number

  • A.4-1941

Notes

  • Although the bust is currently called 'Bust of a Black Woman', there is some debate over whether the head represents an adolescent boy or girl. The carving is sensitive and high quality; the headband has traces of gilding, and the holes in the earlobes make it likely that the head was originally adorned with earrings. The date and attribution of this sculpture are still a matter of debate. It was once thought to be after Giambologna and has been variously dated to the 16th or 18th century. The lower edge of the bust is curved and bevelled, suggesting that it was originally set in a bronze or marble base.

Current rights holder

License terms for reuse

  • Copyright Not Evaluated

‘Serpentine Bust of a Black Woman’ (no date), Black People in European Sculpture, accessed May 5, 2025, http://13.41.147.145/s/database/item/416

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