Skip to main content

Black People in European Sculpture Project

Il Moro di Venezia (Othello)

Il Moro di Venezia (Othello) 1
Il Moro di Venezia (Othello) 2
Il Moro di Venezia (Othello) 3
Il Moro di Venezia (Othello) 4

Entry ID

  • 1 (4/01/2022)

Formal title of the work

  • Il Moro di Venezia (Othello)
  • The Moor of Venice (Othello)

Description of the sculpture

  • A bronze and marble bust depicting the Shakespearean character, Othello. The base includes a relief of the Winged Lion of St Mark, symbol of the Republic of Venice, alluding to the setting of Shakespeare's play.

Type of object

  • Bust – Portrait

Base

  • Base present - appears to be the original base

Dimensions

  • Height: 72 cm
  • Width: 43 cm
  • Depth: 34.5 cm

Materials

  • Marble – white
  • Bronze

Specific techniques used

  • Casting
  • Carving
  • Patination

Overall colour

  • Polychrome

Inscriptions

  • ‘Calvi Milano’ (indicating that it was carved by Calvi in Milan)

Does the Black person have a specific identity?

  • Identifiable: person from literature/ musicals/ opera

Identity of Black person (real or fictive)

Attributes

  • Winged Lion of Venice (base)

Role within sculpture

  • Main protagonist

Gender

  • Male

Age

  • Adult

Status

  • Noble

Clothing

  • Wearing clothes – ‘exotic’ clothing

Evidence of enslavement

  • None

Evidence of 'exotic' status

  • ‘Exotic’ costume/dress

Action or activity

  • Not relevant (head)

Emotional state

  • Noble/proud

Focus of gaze of Black person

  • Looking sideways

Sculptural context

  • No location included/implied

Sculptor

Place of production

Period of production

  • Nineteenth century (1800-1899)

Date of Production

  • c. 1880-1882

Date inferred from

  • Recorded in related documentation

Original purpose

  • Decorative

Original display setting

  • Unknown

Current / most recently known location

Accession number

  • SC21 BORGM

Provenance history

  • 1921: gifted to the Russell-Cotes Art Gallery and Museum by Sir Merton Russell-Cotes
  • c. 1907 - 1921: owned by Sir Merton Russell-Cotes

Exhibition history

Notes

  • The likeness for this bust is said to be inspired by Ira Frederick Aldridge (1807-1867), an American and later British actor, playwright and theatre manager. The son of an American slave, Aldridge became well-known throughout Europe for his portrayal of Othello.

Current rights holder

License terms for reuse

  • Copyright Not Evaluated

http://13.41.147.145/s/database/item/36, . (no date) ‘Il Moro di Venezia (Othello)’, Black People in European Sculpture, accessed May 5, 2025, http://13.41.147.145/s/database/item/161

University of Cambridge Museums logo
Cambridge City Council logo
Arts Council England Logo
Research England logo
The Technology Partnership logo
Brewin Dolphin Logo